Category Archives: musical theatre

She Used to Be Mine

I’m really excited because this week I’m finally going to see Waitress. I’ve loved this song since I heard Jessie Mueller sing it on the Tony awards a few years ago and I’ve been meaning to record it ever since.

Through the many transitions of life, we all have times when we no longer recognise ourselves and long for our younger selves. I felt this loss of identity, intensely when I was at home all day with three small children. There seemed to be no time for me, to look after my appearance, to get out of the house and be myself or to have a purpose other than being a mum. As they get older, after so many years of being at home, I struggle to find my purpose and identity when they are not around.

As I approach my late 40’s, sometimes I look in the mirror and wonder if it is really me. I long for my youthful skin and slender body. However, some of the things I missed when I was a mum of young children, are creeping back. I’ve rediscovered old hobbies like dancing and singing  and explored new ones, like playing the ukulele.  This is my first recorded attempt at playing an instrument and singing at the same time (a new and exciting skill for me).  As the song says ‘she’s imperfect but she tries’. Fear of being imperfect holds me back in many things, this is an attempt to let some of that go.

Almost every decade past the age of thirty brings a shift in identity; becoming parents, returning to the workforce, kids leaving home, divorce and separation, retirement, old age, all make us re-evaluate who we are. This song is a sad song about wishing you were who you used to be, but also a song of hope. The people we used to be are still there, we are those people, but our life experiences add depth to them. It is natural to miss who we used to be, but carry them with you through life, they are us and we are them.

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Are You Sick of the Seattle Spring Rain?Brighten your day with Seussical Jnr. at Village Theatre Kidstage.

Seussical-Jr_900x900If the rain is getting you down, Seussical Jnr at Village Theatre Kidstage, Issaquah, can’t fail to put a smile on your face. Many theatre goers shy away from kids productions for fear that they might not be any good. My own perceptions have been changed over the years since seeing  some truly excellent junior productions. I attended Seussical’s opening night because my daughter is playing the baby kangaroo, but I was in awe of this amazing cast and felt compelled to share my experience.

The last time I saw Seussical, it was performed by a group of talented adults (many of whom I had appeared on stage with) in Bristol, UK.  I had been told by many that Kidstage productions would exceed all expectations. The competition for a place in the cast is fierce with over a hundred children auditioning for thirty something places. I expected a quality show but these talented kids and teens blew me away and matched and sometimes outdid those adults in the UK.

The show itself, is colourful, high energy, funny, heartwarming and full of memorable songs. Setting the show in a playground and using everyday clothes for the costumes but adding magical twists like animal ears and feathered tails, emphasised the role of imagination, an important theme of the show, where ‘ Anything is Possible’.

Each cast member had a unique character that they maintained throughout the show.  Cat in the Hat (Nina Romero), is a fantastic physical actress. Every movement and facial expression embodied this familiar character perfectly and her clear speaking voice and strong, faultless singing made her perfect for this role.  Jojo (Natalia Oritz Villacorta) owned the stage, with a wonderfully, rich singing voice that surpassed her age.

Seussical introduces a myriad of familiar Dr. Seuss characters, but the main thread of the story centers around Horton the elephant. McKay Hancock made a perfectly sweet, lovable and downtrodden Horton and his heartfelt opening to Solla Sollew was one of my favourite moments. Arin Sandidge’s, beautiful voice, strong presence and ability to convey every emotion through her eyes, was captivating as Gertrude the bird with the one feathered tail. You couldn’t fail to cheer her on in her quest to get Horton to notice her.

I loved the characterisation of the Mayor and Mrs Mayor of Whoville (Colin Bixler and Eleanor Olsen). The Mayor’s comic timing was wonderful and this was counterbalanced by Mrs Mayor’s strong character and vocal ability.

There wasn’t a weak link in the show – every cast member put their life and soul into the production and there were so many little character moments to watch that I will need to watch it multiple times to catch them all. You can’t help but come out of this show with a smile on your face and you may very well be seeing future stars in the making.

Seussical Jnr runs from 13th – 29th April with performances on Friday evening, Saturday afternoon, Saturday evening and Sunday afternoon. Tickets are available from the Village Theatre box office for $18 general admission or $16 Youth and Senior.

 

Hamilton; The Hottest Ticket in Town: Does it live up to the hype?

Hamilton Seattle 2018

My first introduction to Hamilton was two years ago at the Tony’s. Around the same time, it took my daughter’s middle school by storm. She memorised every word and introduced Hamilton to her younger sisters, who were soon gripped by Hamilton fever.

The whole family took on the challenge to learn the songs and dress up for local Hamiltunes events and my two youngest daughters started a Hamilton club at school.

 

The long wait to finally get to see Hamilton was over this weekend, when we visited the Paramount Theatre in Seattle. Our only sure-fire way to guarantee tickets when Hamilton arrived in Seattle was to buy a seasons pass and we haven’t regretted it. Every show we have seen this year has been fantastic but Hamilton was the prize ticket.

With two years of hype and excitement, there was a danger that

  1.  The kids would be sick of Hamilton by the time it arrived.
  2. It wouldn’t live up to our expectations.

The show opened with a very different type of Burr to the Odin Jnr we were used to. The first five minutes were spent getting used to the new voices and intonations but by the end of the opening we had warmed to the new cast and we were carried away by the spectacular show.

It is solid testimony to the creators of Hamilton, that a show touching the hearts of the nation through the soundtrack alone, is such a visual delight.  The choreography, lighting and set are breathtaking but even more spectacular is the way in which all these elements work together to create the story.  If you feel you’ve heard the soundtrack, so don’t need to see the show, think again. Seeing the show provides not only a deeper understanding of the plot and characters but also an utter visual delight, incomparable to anything I’ve ever seen on the stage.  Lin-Manuel Miranda has certainly set a high bar  for all future musical theatre productions. It feels truly groundbreaking,  similar to seeing Les Miserables for the first time in the early 90’s.

Shoba Narayan as Eliza and Ta’rea Campbell as Angelica will blow you away with their incredible singing voices and emotive presence. Even knowing the story so well, it is difficult to hold back the tears during the second act.  The party behind me (who I suspect didn’t know the story as well) sniffed their way through the performance from ‘Burn’ to the end of Act 2. The perfection of the final lighting cue, shows focused attention to detail and how carefully thought out every moment of Hamilton is.

Is Hamilton suitable for children?

My youngest children are 7 and 9 and big Hamilton fans.  Even if children are Hamilton fans, there are a few things to be aware of.

  • Act 1 is long – around 30 minutes before the interval my 7 yr old told me she was tired and started to get a bit fidgety.  If your children don’t know the story or the sequence of songs and are not good at sitting for prolonged periods, I would suggest waiting until they are older.
  • Make sure you get a booster cushion (we took an extra with us just in case). The theatre will be full and most likely there will be an adult sat in front of them.

Hamilton was a wonderful experience for our family. The children are regular theatre goers and know the show well.  If your children are not used to the theatre, children under the age of 8 may not get the full benefit of the experience. Also being aware that this is a once in a lifetime experience for many adults, may help you decide if your child will be a distraction or not.

The final verdict

Hamilton

Smiles all around.  Hamilton is the hottest ticket in town with good reason. If you are lucky enough to have the chance to see Hamilton, wherever you are, don’t hesitate – you won’t be disappointed.

Charlie and the Chocolate Factory the Musical

charlie-and-the-choc

 

I took a blogging break this summer to concentrate on travelling with my family and now I am back, I have lots to share from my busy summer.  Today is Roald Dahl day and would have been Roald Dahl’s 100th birthday, so I thought it would be fitting to share my thoughts on the West End musical production of Charlie and the Chocolate Factory.

This was our first visit to London with the children.  We only travel home every few years, so we wanted to show them the sights and experience a West End show.  To be honest, Charlie and the Chocolate Factory wasn’t our first choice of show and we arrived with a little uncertainty.  We couldn’t have chosen anything more memorable or spectacular.  From curtain up it was visually mesmerising.  Costume and set design were out of this world and totally lived up to the company’s aim to astound the audience.

Roald Dahl’s original story was preserved throughout but was cleverly tweaked with  modern touches. The children were characterised perfectly and wonderfully portrayed by the cast.  My kids spent time discussing who they would like to play;  ballet dancing Veruca Salt, video game obsessed Mike Teavee or Violet Beauregarde the acrobatic child star. The parents were also brought to life in quirky and interesting ways.

Directed by Sam Mendes, this is the first stage adaptation in 50 years and completely surpassed my expectations.  We all came out of the theatre feeling a little emotional. We had clearly witnessed something  unique and special.

If you get a chance to see it before it closes at Theatre Royal, Drury Lane in 2017, I highly recommend it.  Don’t despair if not, a UK tour is coming soon and for US audiences, the Broadway production will open in 2017.

Disclaimer: This is a personal recommendation, no monetary compensation or complimentary tickets were received for writing this post.